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Another court martial

Ecumenical responses to the Pope

Approaches the truth, but...

Pius X For Children

A very nice overview of the decipherement of languagesOr so I thought. However, after reading this book I was amazed about how similar the decipherment of my handwriting and of, say, Maya script is. As it turns out, the language of the script has to be known! That came as a surprise to me when I started to read the book. How would anybody know the language of ancient Egypt? As it turns out, in many cases, old languages survived or are the progenitors of languages known today. In the case of Egyptian, there is a language called Coptic which is still spoken today and which is very close to ancient Egyptian. In addition, the decipherment is very often made much easier by documents which contain the same text in more than one language. Pope's book explains in very nice details how the knowledge of Coptic and the existence of the so-called Rosetta Stone made the decipherement of Egyptian hieroglyphs possible. In a similar fashion, he talks about many other old scripts like Linear B, Cuneiform etc.
In my opinion, the book has a few small flaws, though. First of all, the first chapter which deals with older ideas of what Egyptian hieroglyphs might mean is incredibly boring because it is so repetitive. In addition, Pope mentions many and in fact too many contributors of the decipherement of any of the language so that the reader (or at least me) is left somewhat confused about who did what etc. But these flaws are really only minor and if I could I'd give this book 4 1/2 stars out of 5.


The Vatican most reluctantly lets the truth be told.This is truly "an exhaustive and impressive study" as Cornwell narrows in on what really happened to the author of "Letters to Pinnochio," which I found most revealing of the Patriarch of Milan. Cornwell gives a most telling picture of Archbishop Paul Casmir "Chink" Marcinkus, the Walter Jenkins/Bebe Rebozo "bagman" of the Vatican Bank, who was able to provide $250 million from the Vatican pension funds to reimburse the machinations of the Calvi/Banco Ambrosiano debacle. Cornwell's in depth portrayals of Papa Luciani's two secretaries, Bishop John Magee and Don Diego Lorenzi and what they did when they found Luciani dead and unattended validates Garry Wills' "Papal Lies" thesis: functionaries in the Vatican lie from force of habit, rather than from malice or personal gain.
Yet there is malice afoot: "[Cardinal/secretary of state Jean] Villot's miscalculation of [Luciani]'s administrative capacities, his poor state of health, was disasterous and surely culpable." Luciani insisted that "he had usurped the papal chair he sat in. 'The Foreign Pope [John Paul II] is coming to take my place.' " And Karol Wojtyla sat opposite Luciani in the Conclave that selected Luciani to follow Montini.
To tell more, would destroy the suspence of Cornwell's story, yet one can say that Luciani was not poisoned, despite centuries of papal murders, that Luciani did not committ suicide, although he certainly lost his will to live, and welcomed death. Whether Luciani abandoned the medicines that would have prolonged his life seems still open.
Based on this "marvelous and compelling investigation" one understands why John Paul II has nothing to fear from the publication of "Hitler's Pope." John Paul II personally made "Thief in the Night" possible, and opened up for Cornwell, the Pandora's box of Pacelli's racism and probable anti-Semitism. John Paul II is to be commended in following John XXIII's dictat: to "open the windows of the Vatican" and let sunlight cleanse Rome of its "Papal Lies" by the Curia-crats who know better how to be a Pope than Pacelli, Roncalli, Montini, Luciani, or Wojtyla, e.g. Tisserant, Ottavani, Villot and Ratzinger.


Quirky and heartfelt

best book for pdf.

An entertaining Cliff Notes for Opus Dei Finances

Schlink's Ecumenical Vision
The main story line is a convoy back to England and its plodding operations overseen by Ramage, torn by a bizarre meet with another British frigate. Although newly married, Ramage struggles with an infatuation with a lady of the convoy. There's also the strangest case of mutiny I've ever read. Haled into court, Ramage is court martialled for his life, with an infuriatingly biased judge guiding his fate. Throughout there overhangs the disturbing worry that Ramage's bride (of the previous novel Ramage's Devil) has been lost at sea. Paul Wright's cover painting is the weakest in his series, a lethargic stern chase.